Friday, December 27, 2019

Essay about Edwin Hubble Biography - 1056 Words

Edwin P. Hubble was a ground-breaking American astronomer who revolutionized our knowledge of the universe and established the foundations for all of modern cosmology. At the beginning of the 20th century, most astronomers thought that our Universe was confined to the Milky Way Galaxy alone. However, Edwin Hubbles inspiration and perseverance in astronomical research proved otherwise. He discovered the existence of other galaxies and created a systematical classification for all galaxies. Additionally, he mathematically confirmed that his newly discovered universe was expanding. Hubbles astronomical triumphs earned him worldwide scientific honors and pioneered our modern cosmology. Edwin Powell Hubble was born in Marshfield,†¦show more content†¦Hubble turned away from astronomy and decided to studied law. He completed the two-year law course in 1912, while continuing to succeed in his athletic endeavors through various track and field events. Hubble returned to the United States in 1913 and began practicing law in Louisville, Kentucky. However, he soon found himself bored with law and returned to what he later realized as his passion: astronomy. Hubble returned to the University of Chicago in 1914 to broaden his scholastic knowledge of astronomy, a field he then described as a calling. He studied at the Yerkes Observatory, and in 1917, received a doctorate in astronomy. During his term at Yerkes, Hubble met astronomer George Ellery Hale, founder of the Yerkes Observatory and the director of the Mount Wilson Observatory in Pasadena, California. Hale had heard of Hubble and invited him to join the Mount Wilson Staff. However, Hubbles enrollment in World War I the following year delayed his acceptance of this offer. He achieved the respectable rank of major and in 1919 was discharged. Immediately following, Hubble began his work at Mount Wilson. The observatory had two telescopes, a 60-inch reflector and a newly operational 100-inch telescope, the largest in the world at that time. The technological advances in telescopes and the resources of the Mount Wilson Observatory provided Hubble with enough sources to begin the major portion of his lifes work.Show MoreRelated Hubble Space Telescope Essay1737 Words   |  7 Pages According to a newsletter sent out by the National Aeronautics and Space Administration (NASA), the purpose of the Hubble Space Telescope was, and is, to gather light from cosmic objects so scientists can better understand the universe around us. Up until the deployment of the Hubble Space Telescope, all telescopes were Earth based and had the disadvantage of having to peer at the stars through the Earth’s atmosphere. The Earth’s atmosphere provides a large amount of distortion when viewing veryRead MoreEdwin Hubble and His Dream969 Words   |  4 Pageseighty-nine who wanted to be an astronomer. That young man’s name is Edwin Hubble. The great Edwin Powell Hubble was the son on an insurance executive. He was born in Missouri. At the age of nine his residence changed from Missouri to Chicago. Growing up he enjoyed basketball and boxing. Hubble was a young man with the admiration to succeed in his education. He graduated from high school in nineteen o six and continued on to college. Hubble receive an academic scholarship at the University of Chicago.Read MoreAlbert Einstien: The Smartest Man in History Essay898 Words   |  4 Pagesthis essay, you will read about Alberts early life, family and marriage, his miracle year, his scientific career and theory of relativity, US contributions, and his later years. Did you know Albert Einstein failed an exam in his school years? (Biography Channel Website) Albert Einstein was born on March 14, 1879 in Ulm, Germany. His father was Hermann Einstein and his mother was Pauline Einstein, both of whom were non-observant Jews. At the age of one, Albert Einstein and his family moved to MunichRead MoreAn Influential Physicist Of The 20th Century1906 Words   |  8 Pagestheory, Einstein had held on to the belief that the universe was a fixed, static entity, aka a cosmological constant, though his later theories directly contradicted this idea and asserted that the universe could be in a state of flux. Astronomer Edwin Hubble deduced that we indeed inhabit an expanding universe, with the two scientists meeting at the Mount Wilson Observatory near Los Angeles in 1930. While Einstein was travelling and speaking internationally, the Nazis, led by Adolf Hitler, were gainingRead MoreEssay on The Biography of Albert Einstein2099 Words   |  9 PagesThe Biography of Albert Einstein Born in 1879, Albert Einstein is known today for his incredible mathematical ability and†¦ well, his wild hair. But more important than the physical attributes of his cranium, is the fantastic information which it provided. He will probably always be remembered as the greatest mathematical genius of the modern world. Honors he has received for his works include the Nobel Prize, which he was awarded in 1921, the Royal Society Copley MedalRead MoreThe Big Bang Theory, The Theory of Evolution, and the Bible Essay2843 Words   |  12 Pagescom/uca/u03/030300.htm. -Genesis 1. Etext. Virginia. N.p., n.d. Web. 20 Mar. 2013. http://etext.virginia.edu/etcbin/toccer-new2?id=KjvGene.sgmimages=images/ modengdata=/texts/english/modeng/parsedtag=publicpart=1division=div1. -Edwin Hubble in Translation Trouble. Nature. N.p., 27 June 2011. Web. 21 Mar. 2013. http://www.nature.com/news/2011/110627/full/ news.2011.385.html. -Empedocles. BBC.co.uk. N.p., 4 Mar. 2005. Web. 23 Mar. 2013. hthttp://www.bbc.co.uk/history/historic_figures/

Thursday, December 19, 2019

19th Century Prostitution Essay - 2276 Words

Prostitution is a subject whom many people today have vocal opinions about if it should be legalized and is it moral? Can you imagine how people felt about prostitutes in the 19th century? Today people think the worst possible things of a woman who prostitutes herself and a less rigid view of women’s sexuality exists now almost two centuries later than there was then. In 2011 men and women can have a different view of prostitution and distinctive ways to correct the problem. Men today as they did almost 200 years ago would like to see prostitution legalized and regulated. Women still see prostitution as they did a moral issue that needs reformed. The data suggests that few things have changed when it comes to the punishment and†¦show more content†¦There was what could be considered morally wicked reasons that prostitution was taken up such as women who wanted to drink, dance, and have a good time. Though the main reason appeared it was a need for money. â⠂¬Å"I went into the sporting life for business reasons and for none other† (MacKell, 2004). â€Å"It was a way for a woman in those days to make money, and I made it† (MacKell, 2004). These remarks were made by Mattie Silks who worked in Colorado that claimed she was a madam and never a prostitute (MacKell, 2004). Penalties could be different in any part of the country a prostitute worked in. New York there could be time spent in jail (Hill, 1993). In Saint Paul the madams appeared in court monthly to fulfill their obligations (Best, 1998). Monetary fines were popular in Wyoming (Butler, 1985). Payoffs to the police and city council were common in Denver in the 1860’s (Secrest, 2002). Until 1875 prostitution was not illegal in Pueblo Colorado and when it became illegal the working girls were fined (MacKell, 2004). In 1822 under New York’s new constitution prostitutes fell under the designation of disorderly persons. This law included prostitutes, keepers of bawdy houses, drunkards and other disorderly persons. The punishment for this crime could be bail for good behavior for one year or jail time not exceeding sixty days. If the disorderly person was found to be guilty of prostitution, she could be sent to prison for up to six months. In NewShow MoreRelated Prostitution in the 19th and 20th Centuries Essays1757 Words   |  8 Pages During the late 19th- and early 20th century, the nature of society forced the working class women of America to take advantage of any means to support themselves, including prostitution. Each woman had to decide herself which work option best supported her financially. During this time, women had limited options as far as work was concerned. As time went on, more and more women were forced to work, because they had no husband and no other means of building up a dowry for a husband. By 1910Read MoreSocial Classes, Prostitution and Jack the Ripper in the 19th Century England1227 Words   |  5 Pages After the Age of Enlightenment in the mid 18th century in England, the tension between the social classes intensified even more. A huge gap generated between the aristocrats and the working class, but dozens of new layers of society appeared. While the rich lived to the fullest, the lower class starved and needed to find alternative ways of money making. Prostitution became more and more widespread, which lead to an inequality and social stratification between poor and rich and due to the economicalRead More Role of Women During and After the Age of Revolutions Essay1727 Words   |  7 Pagesvery important document then and today, as one of the fir st women’s civil rights and privileges act that influenced for further reform in the 19th century. The declaration opened many doors to women’s rights that account for many future changes as the time line moved from the French Revolution to the Industrial Revolution. In the early 19th century Flora Tristan a feminist wrote the â€Å"The London Laboring Classes† in the London Journal, describing the conditions of factory workers afterRead MoreWomen and Work in the 19th Century Essay920 Words   |  4 PagesDuring the 19th century, change was in the air. Industrialization, involving the movement of labor and resources away from agriculture and toward manufacturing and commercial industries, was in progress. As a result, thousands of women were moving from the domestic life to the industrial world. During the 19th century, the family economy was replaced by a new patriarchy which saw women moving from the small, safe world of family workshops or home-based businesses to larger scale sweatshops and factoriesRead MoreSex and Punishment in History502 Words   |  2 Pagesall the ages. From the table of contents the structure starts with the first sex laws in Circa 2100 BC then Ancient Greece and then up until the 19th Century meaning that th e 4000 years were covered. The book does exactly as the title explains. In each chapter it describes the laws that each particular era towards homosexuality, beastality, prostitution, and the age of the consent. Whilst covering every aspect of sex, such along with rape and pornography it also describes the punishments people receivedRead More Compare and contrast the main female characters in The Withered Arm2234 Words   |  9 Pagesshould also refer to the position of women at the times these stories were written. The position of women has changed greatly over time, but women were, and still are seen as the weaker more inferior sex. ‘The Withered Arm’ was written in the 19th century by Thomas Hardy, and the story is set in the English countryside. The story reflects the different attitudes expressed against women in the biased society of that time. There are two main female characters, which are totally different from each Read MoreProstitution in Victorian England Essay1245 Words   |  5 PagesJudith Walkowitz’s book Prostitution and Victorian Society: Women, Class, and the State, deals with the social and economic impact that prostitution had on English society in the mid to late 19th century. Throughout her piece Walkowitz illustrates the plight of women who are in the prostitution field and that are working the streets throughout England. She starts with the background of most of the prostitutes in Victorian England then talks about the Contagious Disease Act in 1864 that attemptedRead MoreIntimate Frontiers1084 Words   |  5 Pagesperiod through the lens of gender-relations and sex, and through this lens the reader is able to better understand the unifying conditions of settlers and citizens in 19th century California. Hopes of prosperity were the most common and convincing appeal of travel to California from the early Spanish settlers in the 18th century, to the American and Chinese gold miners in the 1850s. Spanish missionaries formed the earliest settlements in the California territory, establishing missions in hopesRead MoreA Society By Fyodor Dostoyevsky1075 Words   |  5 PagesThe 19th Century Russian author Fyodor Dostoyevsky once wrote that a society can be judged by the conditions within its prisons. In that same vein, you can determine the strength of a society by how it treats those living on the outskirts of society, the most vulnerable and stigmatized citizens. Prostitutes are nearly at the bottom of the American social hierarchy, just above pedophiles, rapists, and violent criminals. Prostitutes are vilified in a way suggesting that they’re somehow victimizingRead MoreThe Brothels And House Of Ill Fame1440 Words   |  6 Pages1880 to 1920 depended on industry in Eau Claire , particularly the lumber industry. The success of the prostitution can be known by studying the number of brothels throughout these decades. Author examines the relationship between the lumber industry, and the working class in Eau Claire to make this argument. This article talks about how increase in lumber industry lead to increase in prostitution activity. After civil war the industry expanded dramatically and Eau Claire was a wealthy lumber town

Wednesday, December 11, 2019

Music PublishingContemporary Trends Click Now To Get Solution

Question: Describe about the music publishing busines? Answer: The music publishing business is connected with developing, valuing and protecting the ethics of contemporary music. It is a diverse scaled business demanding exceptional skills. Music publishers do play an important role in introduction of new music and taking care of the business perspective of allowing composers and all the songwriters to revolve around and concentrate all the resources for the creative work. The primary aim of music publishing is to seek out talented songwriters and encourage them to produce music by providing required facilities. The music publishing industry have been for a long time a part of the multi billion dollar venture (Stuessy, 1990) which has evolved recently at a remarkable pace. Music publishers have become central to the field of contemporary mainstream music starting from the time of 15th century marking the invention of Gutenberg press till the development of music copyrights from the 17th century rising up till 20th century. The present trends of music publishing industry have been altered at a drastic rate with downfall of the physical merchandize such as compact discs or cassettes and replacement with the new multi streamed revenue sources such as digital streaming, mobile music outlets, wireless music subscription services (Gibson, 2004) etc. This report would dwell deeper into the current trends in the music publishing industry along with having an insight into some real life examples and practical case studies for the changes in the music publishing industry. These changing trends can guide the songwriter to launch the music in the publishing industry in a contemporary format to gain maximum of the profits and secure the future success based over various revenue streams and multiple alternatives for launch. The main task of music publishers consist of pitching the relevant material to the potential audience in the aim of maximizing the profits and earnings of the writers and publishers and to collect the license fees from the broadcasters, commercial venues, some foreign royalty organizations and from sheet music and sync licenses. The year 2008 did bring a lot of drastic changes in the publishing industry of UK. The music publishers active in the region had many failed attempts in order to create a pan European regime for licensing (Throsby, 2002) but now all the major publishers of the nation have withdrawn the exclusive rights for digital distribution from European societies like MCP. Based over the type of the licenses provided by the music publishing companies, the market is segmented into public performance, folio license, reproduction, mechanical or synchronization each having different attributes and different modes of revenue at different set prices. Also, they are handled by many governing bodies and the licenses have to be attained separately. There was a shocking phase for the music publishing industry in the early years of 2000 when there was a high rise growth of file sharing and piracy (Fox, 2004). Many of the investor and stakeholders were quite skeptical about the growth and future of the music industry and publishing assets. But, the savior were the rise of legal alternatives for the consumption of music offered to the listeners in an affordable and convenient way. However, the royalty revenue have remained stable in the duration of past 15 to 20 year duration attracting many huge investors to the music publishing. The present position of the publishing industry is generation of about six billion dollars per year at a global level. The Alliance was formed between PRS and MCP (Rothenbuhler, 1982) during which the music publishing industry of UK established itself primarily as a global leader in the early years. The pan European position have been settled now with the internet distribution having access to both performance rights catering to communicating with the public and the mechanical rights referring to the copy in each and every transactional process. The result of the rights was formation of Joint Online License (Cunningham, 2002) which was a very creative and innovative approach and a platform that allowed any of the service may it be offered downloads, streamed music or subscription access for music publishing to operate in UK all falling under one agreement. This concept was adopted further by many other societies and groups. But the intended simplification turned into a collapsed system as the one stop shop for all the music enthusiasts as a single pan European license failed to create the intended im pact. Further, the EMI Music became one of the first publisher to independently set up a joint venture with The Alliance group and GEMA, the German society. This collaboration was famous as CELAS offering digital rights (Tom 2009) to Anglo-American stock on the basis of the pan European. Some of the real life examples showing collaborations for the solutions in the music publishing agency are joining of Sony ATV with GEMA known as PAECOL, and collaboration of Universal with SACAM in France. The present position in the UK music industry pertains with obtaining the licenses for any kind of major commercial work or offering any online service relating to the music from each of the group CELAS, Universal, PAECOL and PEDL (Hull, 2011). The major issue is that only two of these publishing bodies follow up English law making the situation difficult. Presently the system has put barriers to entry for all the new online providers of music. This industry is presently witnessing the course alteration transformation with a plummeting sales of some physical albums and conversion of the entire industry over the digital space and platform. With the state of flux there are various opportunities provided for the aspiring music publishers and song writers. A Performing Rights Organization (PRO) represents the music publishers and thereafter, pays them with the performance royalties when the song are played in the public domain (Scott, 1999). In practice, whenever these songs are played on television, radio, clubs or other restaurants or are performed live the writer is provided a right to be compensated and the role of the governing body SESAC is to ensure the payment to the writers. The staff of publishers and writers are one of the best as per the talent meter in the development stage as they are introduced with the songwriter partners and the potential mentors to understand the intricacies and technicalities of the business. Music licensing have also emerged being a major focal point of consideration for the purpose of revenue and exposure for the new talent in the music publishing industry. Now a days the labels and artists can make a huge sum of money by licensing their music to television shows, corporate videos, computer games, web based videos, indies, documentaries, applications, mobile phone tunes (Dane, 1998), advertising commercials, feature films and other forms of newly emerging media. It is a form of direct revenue from the licensing fees in addition to royalties obtained from sync placements. It has become a good catalyst for career making and gives good exposure to artists. Copyright is one of the most important asset owned by a musician to maximize the income and expand the exposure. It is a form of intellectual property owned by a musician in the form of documentation. The ownership rights give control of distributing, performing publically, reproducing, creative directives of displaying them. The musical composition copyright can be given to both the compose and the lyricist at equal share and the creators have the exclusive rights to have a control and monitoring of who all can produce records or copies of their songs which can be granted in the form of mechanical license or royalties. On the other hand, there is involvement of record labels, artists and producers transferring ownership of their copyrights known as artist royalties. Both of these licenses have to be obtained differently by the governing bodies. In terms of opening up a new publishing company, there is a need to affiliate the newly opened company with any of the three performing rights organizations, one of them being like SESAC. The approval of the whole process might take the time of about 6 weeks. On the other way round, the company can register works for live performance payments that allows independent music publishers of the songwriters to earn additional royalties. Forms have to be filled with the copyright office with the permission of the PRO. The latest noticeable trend is of music publishing development deal where some of the major publishing companies can offer advance to the songwriter or the artist in anticipation of a successful career in the future with good record deals. This is one of the dream opportunity given to the artists as the publishing company handle the expenses of professional learning and grooming in music industry. For example, Paula Cole entered into the industry by the means of advance deals and earned a lot of royalties for himself and the sponsoring publishers. This goes on with the procedure that the publisher offers a huge sum of about twelve thousand to thirty thousand dollars in advance for one year deal (Power, 2002) and in return the artist have to give fifty per cent of the publishing rights of all the songs written in the agreement duration. Recently, there are some of the positive factors that are having influence over the dynamics in the publishing industry. The termination of the licenses and transfers provision for the Copyright Act giving writers a chance to reclaim their rights. The royalty earnings are likely to be boosted up in the upcoming years and in the near future due to enormous and explosive growth of the platforms of digital media such as Spotify, YouTubes Music Key, and Deezer. YouTube has become one of the great ally for the music licensing and publishing industry giving an incredible fortune and platform to seekers. Web based advertising and music branding have collaborated innovatively to grow rapidly in the industry. YouTube has accumulated billions of play on videos using copyrighted music and they under the rule of YouTube monetization policy (Wikstrm, 2013) have to give royalties pertaining to all the views. The uploader of the video needs to get permission from the copyright owner as well as the performing master and from the side of the publisher, he needs to gain a synch license and from the label concerned he needs to fetch a master use license in the present times of contemporary digital media publishing. Royalty Exchange is a startup formed in the year of 2011 to create a marketplace where it will be easy to auction the royalty revenue stream to the attributed investors. Many songwriters can use this as a platform to share a part of the royalty income. One of the very live example is the producer and the songwriter Preston Glass working with Natalie Cole, Whitney Houston and Aretha Franklin auctioned about 15 songs of himself by the medium of this Royalty Exchange Platform (Preston, 2011). He raised a sum of 158,000 dollars from an investor who is benefited by receiving a cut of the songs when they are played on the media modes or is streamed digitally online. The company takes up 2.5 % from buyer and about 5 to 12.5 per cent from the seller. This Royalty Exchange has sold more than the amount of 2 million for more than 2000 songs. It is expected that the platform will significantly expand once the SEC will pass the final regulations over the JOBS Acts general solicitation rules. The renowned name of Irving Azoff in the music industry as an ex Chairman of Live Nation and dealer and manager of record industry have colonized the publishing space. Global Music Rights company was formed with collaboration of Azoff with PRO heads and managers that offers licensing, collection and distributing services for the exclusive rights (Nash, 2010) that are granted to very few number of artists. A multi revenue stream is adopted by the music publishing industry and is popular by the platform of 360 degree deals. The annual value recorded of the British record industry was about 634 million Euros and in which 402 million euros was of the publishing sector (Vogel, 2010) generated from merchandize, fan services and brand partnerships being additional. Presently, the single major internet initiated music publishing challenge and music industry revolution is of the innovation of direct-to-fan in which many labels have missed out the potential revenue means. Though writers have a perception about exploiting their works based over Internet, viral video sites and music search engines but, the song writers need to register the copyrights with the world governing bodies and the performing rights societies and some of the mechanical licensing organization. They also have to review the royalty statements and all the payments received from organizations. In the contemporary times, the agreements of the songwriters with the music publishers are more likely in the direction of helping the finance and the careers of the writers themselves. A publisher may offer advance royalties with all the facilities or in some cases songwriters are secured for the future collaboration over the digital media stream. The present trends have brought in a slightest relief with revering record industry and the difference of about 0.2 % hike from 2012 to 2013 in the music market making the decline end up. Booming and aspiring digital revenues actually played a prime role in renewing the optimism for the industry. The subscription based streaming service is gaining most of the attention with some of the majorly focusing sectors such as iTunes or ad funding in YouTube or some other application Vevo (Hracs, 2012) that have brought in an interesting series of revenue system. Public performance licensing is also becoming one of the key sources of revenues for the record companies. Therefore, the system of 360 degrees (Throsby, 2002) and multi revenue streams with incoming of digital media and digital streaming have killed the physical record system and have transformed the entire publishing industry on to a new domain and have opened new opportunities and dimensions for the new artists and aspirants. The new players are entering into the realm of the music publishing industry ranging from private equity funds and going to the record companies due to incoming of diversified revenue streams. Hence, this study provided a deep insight into the recent trends of the music publishing industry giving an idea for the future projects. It is recommended for the songwriter that he may either go for the dream opportunity for an advance collaboration with the music publishing company or try out for the innovative digital streaming revenue modes in a multi dimensional approach. References 1. Stuessy, J., Lipscomb, S. 1990,Rock Roll. Prentice Hall.2. Gibson, C., Klocker, N. 2004, Academic publishing as creativeindustry, and recent discourses of creative economies: some critical reflections,Area, vol. 36, no. 4, pp. 423-434.3. Throsby, D. 2002, The music industry in the new millennium: Global and local perspectives,Global Alliance for Cultural Diversity. Paris: UNESCODivision of Arts and Cultural Enterprise.4. Fox, M. 2004, E-commerce business models for the music industry,Popular Music and Society, 27, no. 2, pp. 201-220.5. Rothenbuhler, E. W., Dimmick, J. W. 1982, Popular music: Concentration and diversity in the industry, 19741980,Journal of Communication, 32, no. 1, pp. 143-149.6. Cunningham, S. D. 2002, From cultural to creative industries: Theory, industry, and policy implications,Media international Australia incorporating culture and policy: quarterly journal of media research and resources, no. 102, pp. 54-65.7. Tom Frederikse, 2009, Major changes in the UK Music Publishing Industry, Available: https://www.musiclawupdates.com/?p=1838, [Accessed: 28/5/2015].8. Hull, G. P., Hutchison, T. W., Strasser, R. 2011,The Music business and recording industry: Delivering music in the 21st century, Taylor Francis.9. Scott, A. J. 1999, The US recorded music industry: on the relations between organization, location; and creativity, in the cultural economy,Environment and Planning A, 31, no. 11, pp. 1965-1984.10. Dane, C., Laing, D. 1998, The UK music industry: Some recent developments,Cultural Trends, 8, no. 31, pp. 3-23.11. Power, D., Hallencreutz, D. 2002, Profiting from creativity? The music industry in Stockholm, Sweden and Kingston, Jamaica,Environment and Planning A, 34, no. 10, pp. 1833-1854.12. Wikstrm, P. 2013,The music industry: Music in the cloud, Polity.13. Preston, P., Rogers, J. 2011, Social networks, legal innovations and the new music industry,info, 13, no. 6, pp. 8-19.14. Nash, R. 2010, Publishing 2020,Publishing Research Quar terly, 26, no. 2, pp. 114-118.15. Vogel, H. L. 2010,Entertainment industry economics: A guide for financial analysis, Cambridge University Press.16. Hracs, B. J. 2012, A creative industry in transition: the rise of digitally driven independent music production, Growth and Change, 43, no. 3, pp. 442-461.

Tuesday, December 3, 2019

Why We Write Essays - Popular Psychology, Pseudoscience,

Why We Write Why We Write Jessica Angelson On Monday nights I get together with a few friends to exchange ideas about writing and to exchange pieces that we have written. A few Mondays ago one of those friends was having the most fundamental of creative writing problems. Why should I ever write anything? she moaned. Why should any of us? No one wants to hear anything I have to say because I have nothing new to say about any of it. After I, along with the rest of the group, tossed some sympathetic and half-heartedly reassuring words to her I had a thought. Ultimately, everyone wants to feel like they are not alone. No matter how right or how wrong we think our lives are going or how right or wrong our thoughts are, we want to know that other people are there to support us because they empathize with our experiences. What I was trying to explain is the reasoning behind continuing to write creatively after thousands of years of recorded literature. What I also realized is that, unless the subject deals with some knew political o r technological development, people have not really found any new subjects about which to write. Love is still as wonderful and painful as it has always been, death is still as mysterious, deception, betrayal, adventure, none of these things has changed and yet they are among the most commonly written on subjects. Why have we, as a race, not told ourselves that there is no new subject about which we can write and therefore that we should throw in the towel altogether? One reason may well be that humyns, in general, are loathe to admit our shortcomings and are, therefore, ultimately arrogant. But humyn beings are also ultimately lonely. Of course, there are many reasons people read: seeking excitement, research, etc. But why, for example, read a biography of a person you do not know? Because we want to relate to other people. We want to feel good about ourselves as people by reading about the happiness in another's life. We want to feel better about ourselves by reading that someone else has the same problems as we. We tire of our own lives, we get curious, we seek connection, and we want to hear stories about things that others have done that we, perhaps, have not. It could be argued that all things are actually interconnected on every level: We are all made of the same matter, we all breathe the same air. We were all born from our mothers' bodies, we will all some day die and fertilize the ground from which others will feed. However, it is also arguable that the one level on which we may choose to be disconnected is on the emotional level. Assuming that all with whom we connected as children are no longer a part of our lives, we could choose to live in complete emotional isolation. Some people do not even choose; it is somehow thrust upon them. And this is why writing is so necessary. Writing is one of the most basic substitutes for, as well as supplements of, humyn connection. And this is why, no matter how long humyn existence continues, we will continue to write about our individual experiences with the most universal themes. What drives me to write about my humble experiences English Essays

Wednesday, November 27, 2019

8 Interesting Facts About the Irish American Population

8 Interesting Facts About the Irish American Population How many facts and figures do you know about the Irish American population? Did you know, for example, that March is Irish-American Heritage Month? If so, you belong to a small group of Americans. Too few people know that there is such a month at all, let alone which month it falls in, according to the American Foundation for Irish Heritage. While a number of events internationally take place in honor of St. Patrick’s Day, celebrating the Irish throughout the month of March has yet to become a routine practice. The American Foundation for Irish Heritage aims to make the cultural heritage month, first celebrated in 1995, as popular as Black History Month or Hispanic Heritage Month. The group even offers tips on how to get the public to take more of an interest in celebrating the month-long observance, such as contacting public radio and television stations, Irish-American organizations and state governors. The foundation already has one agency in its corner; the US Census Bureau. Each year, the bureau acknowledges Irish-American Heritage Month by releasing facts and figures about the Irish population. Irish Ancestry in the US Population Although Oktoberfest is nowhere near as popular as St. Patrick’s Day in the US, more Americans claim to be of German ancestry than any other. Irish is the second most popular ethnicity Americans claim. Nearly 35 million Americans report having Irish heritage, according to the census. That’s seven times the population of Ireland, which is an estimated 4.58 million. Where Irish Americans Live New York is home to the largest percentage of Irish Americans in the country. The state boasts an Irish-American population of 13%. Nationwide, the Irish-American population averages 11.2%. New York City also has the distinction of being host to the first St. Patrick’s Day Parade. It took place on March 17, 1762, and featured Irish soldiers in the English military. In the 5th century, St. Patrick brought Christianity to Ireland, but the day in his honor has now come to be associated with anything Irish-related. Irish Immigrants to America Precisely 144,588 Irish immigrants became naturalized US residents in 2010. Wealth Among Irish Americans Households headed by Irish Americans actually have higher median incomes ($56,363 yearly) than the $50,046 average for US households generally. Not surprisingly, Irish Americans also have lower poverty rates than Americans as a whole. Just 6.9% of households headed by Irish Americans had incomes at the poverty level, while 11.3% of American households generally did. Higher Education Irish Americans are more likely than the US population as a whole to be college graduates. While 33% of Irish Americans 25 or older have at least earned a bachelor’s degree and 92.5 have at least a high school diploma, for Americans generally, the corresponding numbers are only 28.2% and 85.6%, respectively. The Workforce About 41% of Irish Americans work in management, professional and related occupations, the census reports. Next in line are sales and office occupations. Just above 26% of Irish Americans work in that field, followed by 15.7% in service occupations, 9.2% in production, transportation, and material moving occupations, and 7.8% in construction, extraction, maintenance, and repair occupations. Median Age Irish Americans are older than the general US population. According to the 2010 census, the average American is 37.2 years old. The average Irish American is 39.2 years old. The Most Irish President John F. Kennedy broke the glass ceiling in 1961 by becoming the first Irish-American Catholic president. But he wasn’t the president with the most direct ties to Ireland. According to the Christian Science Monitor, Andrew Jackson holds this distinction. Both of his parents were born in Country Antrim, Ireland. They relocated to the United States in 1765, two years before his birth.

Sunday, November 24, 2019

7 Great Online Research Resources for Writers

7 Great Online Research Resources for Writers 7 Great Online Research Resources for Writers 7 Great Online Research Resources for Writers By Mark Nichol Doing research to strengthen a current story or article, or to get ideas for a new one? You can google all you want and hope for a productive return, but to engage in a focused search, try one of these mediated experiences instead: 1. Infoplease From current events to reference-desk resources to features about history, this site puts a remarkable array of information within reach. Guides to the nations of the world, timelines of political, social, and cultural developments, special quantitative and qualitative features like â€Å"The Worlds Most Corrupt Nations† and â€Å"Color Psychology,† and more cover just about anything you could think of. 2. The Internet Public Library Unlike the other reference centers on this list, the IPL is a portal to other Web sites, brimming with directories of links in topics like Arts Humanities. (Dictionary of Symbolism? Check. Ask Philosophers? Right. Legendary Lighthouses? We got your legendary lighthouses right here.) If you need background information on either fiction or nonfiction projects, stop by for a visit I just dare you to leave without a digressive click or ten. 3. The Library of Congress The online presence of the official repository of knowledge and lore of the United States is an indispensable resource not only for nonfiction writers seeking background information for topics but also for fiction authors seeking historical context for an existing project or inspiration for a new one. 4. Merriam-Webster Online The publishing world’s dictionary of record is at your fingertips online as well as in print, with a thesaurus and Spanish-English and medical compendia, to boot. The dictionary also includes refreshing can’t-we-all-just-get-along usage commentary. (That and which, as pronouns that introduce restrictive clauses, are interchangeable.) You’ll also find video tutorials on usage from dictionary staff, a Word of the Day feature, word games, and a variety of language-watch features. 5. Refdesk Refdesk.com, like Infoplease, is a clearinghouse for online research, with links to headline news and timeless information alike. You can easily get lost in its Daily Diversions directory, which includes links not only to humor, games, and trivia sites but also to more respectable resources like DailyWritingTips.com (whoo!). If you have a question, chances are you can find the answer on this site. 6. Snopes How do you verify that this self-described â€Å"definitive Internet reference source for urban legends, folklore, myths, rumors, and misinformation† is what it claims to be? Go to the site and find out. The fine folks at Snopes.com will set you straight about any one of hundreds of posts each with a prominent judgmental icon, and commentary to back it up about that one thing you think you remember you heard about that one thing. (For example: Posh comes from an acronym for â€Å"port out, starboard home† the ideal respective locations for accommodations on a luxury liner right? Cue the buzzer. Bogus.) TruthOrFiction.com is a similar site. 7. Wikipedia This user-generated online encyclopedia got a lot of flak a few years ago for some inaccurate information posted by someone with a grudge, but that was an isolated incident. Also, many sources warn against using Wikipedia as a primary source for research. That said, don’t hesitate to avail yourself of the wealth of information available on the site much of which is written by subject-matter experts in the field in question. Then click on one of the online sources linked in the footnotes, or take your search to one of the other sites in this list. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Freelance Writing category, check our popular posts, or choose a related post below:Grammar Test 1Writing the Century45 Idioms with "Roll"

Thursday, November 21, 2019

Diamond Trade in Africa Essay Example | Topics and Well Written Essays - 1250 words

Diamond Trade in Africa - Essay Example Recounting this history shows how Africa and one f its most marketable resources have become entangled in the values f a cultural polyglot f political economies, and the image f the African suffers in its wake; a diminished ability to claim political representation for many African peoples, and a reduced place f participation in the world economies for African nations and Africa, as a global entity is the result. (Sherman 600-615) As the image f a "chaotic" Africa persists in the historical moment to de-legitimize it as viable agent in international political economies, divorced f its historical circumstances and left to the whim f market forces and subordinating cultural practices, more and more African peoples come to utilizing force and violence in an effort to attain their participation, perpetuating this tragic image. Diamonds, as a product f Western aesthetic values, through the circumstances f history and geology, becomes an ideal medium for this perpetuation. (Olsson 1133-1150) Although diamonds occur all over Africa, they are accessed most easily in riverbeds via alluvial mining. This requires far less physically intensive effort; as a result, the rivers begin to serve as borders. Mapped as diamond resources, they become instruments f power and ultimately, corruptive relations among the region. In 1997 the NGO Global Witness published an account f the local civil wars entitled Rough Trade. In Angola and Sierra Leone, where mined diamonds were and are being used to fund violent struggles over land, resources and political representation, the rivers have become charted as the cultural resources f various divisions under the patronage f military enforcement. Global Witness purpose was to expose the fraudulent efforts f the "legitimate" diamond trade, identifiably the brokers for DeBeers and the shadow traders-in-between. Although the purpose was to reveal and condemn these policies f marketing "blood diamonds", the publication depicted the struggle only as a moral one for Western business and consumers arguing in favor f not supporting the "violent chaos" f Africa. Emphasis was made on the political struggles, particularly in Angola, where the exertion for representation between political oppositions UNITA (National Union for the Total Independence f Angola) and MPLA continues to subdivide into struggles over diamonds alone. But currently the only political concern f the cultural factions involved is the enormous personal gain to be acquired through control f such abundant and valuable resources, ultimately pointing towards the need for military presence in mined areas. (Sherman 600-615) The diamond as an archetype f Western value becomes the perfect means f instilling economic chaos through the ease f exploiting other cultural values. There size, convenience, f transport and mining, as well as their fiscal value, can make them the ultimate source f finance for a revolution. This suits as a local example that is continental in its effect. It is arguable that every African knows what a diamond is, and what its worth, not so much to them, but to the non-African, and as such becomes a window f economic, and thus potentially political opportunity. The linking f Africa with diamonds is much the same image as the African with violence. The "treasure" f the continent is only so to the Western